Sunday, November 30, 2008
Okay
Sunday, October 19, 2008
Get Destroyed - S/T
Friday, October 10, 2008
Greed Killing - Police State
Thursday, October 9, 2008
Sunday, August 31, 2008
New Chatroom
Saturday, August 30, 2008
knuckle Scraper- Max Isn't The Bastard
This has been on repeat since I downloaded this. Knuckle Scraper has got to be one of the best PV bands that ever was. From what I've seen these guys went onto play in: Machine Gun Romantics, Pretty Little Flower, Insect Warfare, Hatred Surge, and 50/50. So here I give you "Max Isn't The Bastard", stolen right from my friends blog.
Thursday, July 24, 2008
What the hell, no updates?
- Confuse's Nuclear Addicts
- The INFEST link is fixed
Confuse - Nuclear Addicts
Confuse - Nuclear Addicts (Blue Jag) 1984
“The first recordings of Confuse appear to be the stuff on the Spending Loud Night 7″ (King’s World Records). These recordings are ultraraw noisy thrash and are possibly from a demotape, but I haven’t run across a trader that had this demo, although I have heard it was… This stuff is from 1983 and I think is a 4-track basement demo type of thing. The Indignation demo from 1984 is definitly a demo tape, I have seen two covers for this tape. More controlled noise but still outrageously fuzzed out and violent sounding. Later this year Confuse entered the studio for what I believe was the first time and produced the Nuclear Addicts flexi. This, as with the progression from the 1st demo to the 2nd demo, shows a less chaotic and more focused attack, but if you had never heard the demos and just this you’d be hard pressed to believe it. The flexi is a classic noisecore record, abrasive rough buzzsaw thrash a la Disorder but heavier. After this, Confuse appear on a compilation 8″ called Jisatsu Omnibus and the three songs are a bit more rough sounding than Nuclear Addicts (some of them are rerecordings of older songs from the demos as well).” - Kill from the Heart web page
Thursday, May 29, 2008
RP- Catastrophe Live 1982 LP (bootleg)
locust/ man is the bastard 10" split
A1 Locust, The Ass Gravity (0:56)
A2 Locust, The Futile Agreement (0:33)
A3 Locust, The Sever The Toe (0:43)
A4 Locust, The Emaciation Fuckers (0:46)
A5 Locust, The Red (0:45)
A6 Locust, The Inbred America (1:07)
A7 Locust, The Helios (2:53)
A8 Locust, The Personal History (1:01)
A9 Locust, The Keep Off The Tracks (0:36)
B1 Man Is The Bastard Margin For Disintegration (3:23)
B2 Man Is The Bastard War (2:20)
B3 Man Is The Bastard Prayer From Another Land (0:10)
B4 Man Is The Bastard Robotic Anenomi (0:11)
B5 Man Is The Bastard Cave Water Rings (0:06)
B6 Man Is The Bastard A Periscope's Demise By Torpedo (0:12)
B7 Man Is The Bastard Rocket Brain Failure (0:07)
B8 Man Is The Bastard Ward Of Knives (0:06)
B9 Man Is The Bastard Lunatic Hunting People (0:09)
B10 Man Is The Bastard Pluto's Winter (0:15)
B11 Man Is The Bastard Jupiter's Autumn (1:14)
B12 Man Is The Bastard Katlehong Journal
*The Man is The Bastard tracks run as one big track*
Download link: http://www.mediafire.com/?wmxmv2wxh4z
Saturday, May 24, 2008
Punks is Hippies
Wednesday, May 14, 2008
Reality Comp vol. 1
Bands:
Spazz
Man is The Bastard
Lack Of Interest
Despise You!
Crom
Excr
Excruciation Terror
Download Link: http://www.mediafire.com/?viem2j4tfme
Lack of Interest
01 My Life
02 Impeached
03 I Don't Care
04 Ignorance
05 No Sweat
06 What's Up
07 Too Late
08 Kill the Middle Class
09 Force Fed
10 Bitter World
11 No More/Don't Tell Me
12 Don't Know/Nothing
13 Social Inequality
14 Family Massacre
15 Mislead and Deranged
16 Plastic Armor
17 Writing on the Wall
18 Rot Gut
19 Bonanza
20 Mindless (Infest cover)
21 Wasted Effort
Download link: http://www.mediafire.com/?nmg9bz9lvm9
Sunday, May 11, 2008
Interview with Chris Dodge (Spazz, Despise You, Slap A Ham )
Thanks Neutral Words
How did Spazz actually form? I’m not just talking about how you guys all got to know each other, rather, I’m meaning how did you guys come up with the sound you made so popular? Sure, there was grindcore and hardcore but you guys were distinctly different... What ingredients did you put together to come up with your sound?
No idea. We didn’t plan on doing anything specific. We just made music that sounded good to us. All bands are about (or should be about) taking music you like & making it your own. Honestly, the lyrics were mostly an afterthought, which is why a lot of them are so cryptic and are mostly inside-jokes based on our friends or things that happened to us. Probably using a lot of underground pop culture references (Hong Kong movies, skating, tagging, hip hop) unintentionally helped us gain popularity.
Hey, to start off, is there anything you’re especially interested in promoting? Anything you’re working on, or something you think deserves attention?
Thanks for asking. I kinda went on hiatus for a while, but doing a lot more lately. Currently, I’m writing some new songs with Burn Your Bridges (working on a 7 inch for 625), practicing with Despise You to play some live shows in Cali this year, and recording & releasing electronic noise with Bacteria Cult.
Spazz is kind of known for its use of various samples in your songs as well as the pop culture types of imagery. Would you say you guys were kind of trying to mock pop culture in using that type of imagery, or was it just for fun?
It was all for fun. Basically whatever amused us.
Putting aside music for a second, how’s life been? It has been a while since Slap-A-Ham ended, but have you been able to relax a bit more or have you been busy being involved with jobs/family/other projects?
I think I just got burnt out on the scene for a while, and after going into serious debt from running the label, I decided I really wanted to work for The Man & bring home a regular paycheck. I spend way more time than I want to working for someone else, but at least at the end of the day I know I can pay my bills. When I was running the label, I wasn’t living month-to-month, I was living week-to-week.
My favorite Spazz song by far is Sword of the Lord. Just out of my own curiosity, do you remember what that song is about specifically? Do you have a favorite?
I think we were on tour & watching some talk show... I think it was Jerry Springer... and some Jesus fanatic mentioned something about using the sword of the lord. We knew on the spot it had to be a song title. My favorite song is probably Crocket.
So, tell us about the record collection... It must be huge. Anything you’re especially proud of?
Well, over recent years I’ve sold a lot of the more impressive things in my collection. I’ve been buying punk records since about 82, so just about everything you can think of, I’ve probably owned at one time or another. But after having countless thousands of records, CDs, & cassettes, it became so overwhelming, I couldn’t even keep my collection in the house. It had to be kept in boxes, which is pointless. If it’s sitting in a box, why bother owning it. And in recent years, I stopped being collector. Now I’m the opposite, I don’t really like to own anything. So, when I have time, I sell off bits of my collection. That said, I still have certain things I have a hard time parting with, like the Teen Idles 7 inch.
Any future plans for Spazz, or is that dead and buried?
No plans. We’ll probably never play again. We all keep in touch regarding reissuing some old releases & stuff, but that’s about it.
Ok, Ancient Chinese Secret is amazing, and has got to do some more music... What’s the story with ACS? Any plans in that regard?
Nothing will ever happen for ACS again. Another band nobody cared about, but I’m glad you’re one of 3 people who liked it.
In an interview with you that I read out of Crass Menagerie, you said “I made a lot of bad business decisions over the years, but I have an artistic temperament and not a business temperament. And since I was doing the label for artistic and not business reasons, I reckon that would make sense.” I’d say within the music scene, a lot of decisions aren’t made based on what may make money or what’s good for business. In almost all cases, bands aren’t making money and are usually playing in small, cramped venues with bad sound. What do you think draws people to get involved, when on the surface it looks almost like a waste of time?
Obviously, it’s love for the music, the scene, the chance for anyone to be actively involved if they want to. At least, that’s what it was for me.
Any plans for another Super Sabado Gigante / Fiesta Grande type fest that you know of?
I think Six Weeks is going to do another Super Sabado type show sometime again. I have no interest in reviving Fiesta Grande. I started doing the shows to give the bands on the label a place to play, because at the time, very few people liked that type of music. Obviously, that’s changed, so it served its purpose.
Were/are you trying to achieve some common goal with Legion of Doom, Stikky, Spazz, Bacteria Cult, EWBT, ACS and now Burn Your Bridges?
Just having fun, making music I enjoy that hopefully appeals to others as well.
How’d the idea for East West Blast Test come about? Any plans for upcoming releases with them? What is working with Dave Witte like and how does he manage his time, being in almost every band to exist?
Dave & I talked about collaborating for years but never had the time or money to fly out to either coast & work on something in person, so one day I just told him to go into a studio & record drums & I’d write songs to whatever he sent me. Pretty fun because neither of us knows what the other will do in advance. Dave is awesome. He’s a truly great person, a great friend, and one of the most amazing drummers I’ve ever seen. He quit his day job several years ago to pursue music full time & has been quite successful. I’m sure Dave is up for another release, but we haven’t talked about it.
What got you interested in doing something like Bacteria Cult and (forgive me, I’m not up to speed on the inner workings of this type of music) what exactly do you do?
I’ve liked noise for a long time. I put out a few noise releases under the name Jesus Philbin. Bacteria Cult is a collaboration between me & two friends, Jay from Circuit Wound & Kevin from Watch Me Burn/Fetus Eaters. It’s basically sound exploration, creating soundscapes with a wide variety of electronics. I enjoy taking sounds & manipulating them to the point that they’re unrecognizable.
Just looking at your Myspace page, you receive messages like “OMG OMG OMG. I fuckin love you. come back and play one last show. I fuck love you sooo much. omg you have no clue and SAPZZ.ahhh. fuckin love them. ahhh its you...omg. I love spazz.dannggg come to Fontana and play one last show for meee”. Obviously, the internet has helped your bands - as well as others - become raised to a sort of underground “cult of personality” status. How do you think the internet has contributed to the growth of various remote underground scenes, such as powerviolence/fastcore/grindcore, which were at one time very obscure but are now much more popular? Do you think the internet has helped, or hurt the genuinity/sincerity of the music scene, being that a lot of people, now, get involved just to be cool?
No matter what, there will always be someone trying to get involved to be cool. No one has any control over that. And frankly, it doesn’t matter. The internet & MySpace are pretty great in my opinion. It used to be incredibly difficult to find out about new bands, let alone get their music, in the early days of hardcore. While it’s easy to argue that this newer quick accessibility can homogenize the scene, I think the greater purpose served is that you can find new music & like-minded individuals more easily. It’s a tremendous tool for communication. Distributing music
Were the Old Joe Clarks the only band on Raging Woody? Did Raging Woody put out anything else and is any of that stuff still available?
The Old Joe Clarks was a folksy country band that I really loved. Mike from OJC was the infamous banjo player on a few Spazz songs (like Spudboy). Anyhow, I thought they were too great not to have a record out, so I put one out for them & created Raging Woody as a side label to keep them separate from the Slap A Ham bands. It was a failure, of course. Nobody wanted it. A few people liked it, emphasis on few. I think I sold about 100 of 500. A lot of them ended up in the garbage a few years ago.
Again, referring to your interview in Crass Menagerie, referring to bands you turned down to be on the Slap-A-Ham label, you said ?It’s stuff I turned down for my own reasons even though I knew it would probably sell but I didn’t think Slap A Ham was the right home for it for one reason or another Despite that, are there bands you turned down or could have released that you legitimately regret not releasing?
No. But there are bands I released that I regret releasing. That’s all I’ll say.
Anything else your involved in that we should look out for from you, be it music or otherwise?
I think I summed that up in the first question.
So, you’ve started writing reviews for Short, Fast + Loud again. What made you decide to start back up? Is this a signal that you may be interested in looking at bands and possibly getting back into the record businesses, via 625, Slap-A-Ham, or otherwise?
I have zero interest in starting a label again. I love writing, I love new music, I love playing music, and I’m looking forward to having my music come out on other labels, other than my own.
Wednesday, May 7, 2008
Hummingbird Of Death Tour
DON'T FORGET!
BRAND new, here is the newest record from Hummingbird of Death, the Goatmeal EP on a 5'' record! Side A is 19 very short songs that range from a few seconds to 12 seconds roughly varying subject topics like Battletoads to colors to idiots, the B side is an awesome minute and a half fastcore thrasher. Comparisons are dumb but they take cues from Koro, D.R.I, No Comment, Neos, Larm and other alike past bands and modern acts they are close to in sound yet completely different would be Hellnation, XBRAINIAX or Sidetracked. They are very tight for a fastcore band and Mike's drumming is superb. Quality of the record is nice and this is a 1 time press too and not very big of a 1 time press, plus we had the plates smashed to prevent this so its now or never! http://www.cowabungarecords.com/store/product_info.php?cPath=21&products_id=228
Friday, May 2, 2008
INFEST '87-'02
*Thanks Vin
tracks 1-19: Slave LP (1988 Off the Disk) tracks 20-29: Mankind 7” (1991 Draw Blank) track 30: Bllleeeeaaauuurrrrgghhh! (1991 Slap A Ham) tracks 31-49: No Man’s Slave LP (2002 Draw Blank/Deep Six) tracks 50-58: demo (1987) track 59: rehearsal of Slave LP track 60: Apocalyptic Convulsions (1992 Axction Records) track 61: Fear of Smell (1992 Vermiform) track 62: Reality Pt 2 (1996 Deep Six) track 63: Reality Pt 3 (1999 Deep Six)
*Link fixed*
LEFT BACK, LET DOWN comp
Heres the tracklisting
tracks 1-5: Stapled Shut
tracks 6-9: Crom
tracks 10-14: Spazz
tracks 15-23: Despise You
Heres the download link
http://download.yousendit.com/DA73B06D51A3C6FE